Stange Gallery

Gallery Room 03


Nina Bathing

Annie As Actress

Teresa In Labour

Abel On Kinetic Energy

Sheena In Pictures

Susie On Sunshine

Amos In Purgatory

Agnes Reminiscing

Suzanne On Survival

Germane On Being In Heat



Construction 03:  PORTRAITS VOLUME 2
------------------------------------

...consists of a series of ten 'computer poems' created by Ken
Stange:
         Portrait 01:  Nina Bathing
         Portrait 02:  Annie As Actress
         Portrait 03:  Teresa In Labour
         Portrait 04:  Abel On Kinetic Energy
         Portrait 05:  Sheena In Pictures
         Portrait 06:  Susie On Sunshine
         Portrait 07:  Amos In Purgatory
         Portrait 08:  Agnes Reminiscing
         Portrait 09:  Suzanne On Survival
         Portrait 10:  Germane On Being In Heat
  
PORTRAITS VOL. 2 was completed on Mar 23, 1987.

GENERAL INFO:
-------------
    The series can be viewed by any '.GIF' viewer.  However,
accurate display of the work requires a computer system that has
the ability to display 256-colour images at a resolution of 640
by 400.
    The images may be freely distributed but are copyrighted to
Ken Stange, who sincerely requests that they not be modified.

SPECIFIC INFO:
--------------
    This is Volume II of four volumes of portraits in text and
image orginally created with DELUXE PAINT on an Amiga computer.

ABOUT THE AUTHOR:
-----------------
    Ken Stange is a Canadian poet, novelist, and visual artist
with a strong interest in science and computers.  His newest
book is Advice To Travellers (Penumbra Press, Fall 1994).  His
computer art and poetry has been shown in juried shows and
published in literary and art periodicals.
    He is interested in the interface between the visual and
literary arts, and considers the computer the most appropriate
medium with which to explore this colourful 'gray' area.  He
calls these pieces 'poems' because they contain important textual
elements.   He has also published programs and articles in
computer magazines.  He is interested in corresponding with
anyone who shares his interest in the relationship of literature
and art and science.  Send email to:  KENS@FACULTY.UNIPISSING.CA

                                                  --June 1994  



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